1938

“Gordon Parks had moved to St. Paul as a teenager and struggled through the depression working at odd jobs. One day he buys a camera in a pawn shop and in a matter of weeks has his first show at Eastman Kodak in Minneapolis. Thus begins a long, distinguished career as a photographer, composer, novelist, and filmmaker.” *

Ears that hear and eyes that see-the Lord has made them both. Proverbs 20:12

Gordon was born dead, or so the doctor thought, on November 30,1912 wrapped in a cloth and set aside. An observer had an idea to put the child in a tub of ice water, and gently rub ice over his body. Surprisingly, this homespun method worked, and he was revived! **

Parks was born the last child of fifteen to Andrew Jackson Parks and Sarah Ross. He worked on the family farm in Fort Scott, Kansas, and held a lifetime attachment to the land. Thought his youth, he wrestled with the dichotomy of a place that was legally free, yet socially informed by the south. He went to a segregated school, and was discouraged from applying to college by his high school advisor because blacks “were not college material.” ** Sadly, Parks did not finish high school, but it didn’t stop his momentum.

About 1927, his mother died, and he was sent to live with his older sister in Saint Paul, Minnesota. Though she cared for him, her husband was in constant conflict with him, and eventually he was turned out of their home at age fifteen. He struggled with homelessness and poverty in the frigid winters, but survived by doing odd jobs working as a: porter, snow shoveler, busboy, semi-pro basketball player, and piano player for a brothel.**

Eventually, his life stabilized by getting steady work as a server on a train. This job had the fringe benefit of exposing him to different people, cultures, and opportunities. Inspired by the art exhibits of Chicago, he bought his first camera, a Voightlander Brilliant, from a pawn shop and began taking pictures.

Mr. Parks recounted that day saying: “Eastman Kodak developed the first roll of film…. and when I went for the prints, one of the clerks complimented me on my first efforts. ‘Keep it up and we’ll give you a show.’ I didn’t take him seriously and he realized it. ‘I mean it,’ he said. ‘You’ve got a good eye.’” ** He continued shooting, and they did give him the show as promised. 

Spurred on by this success, Gordon went to the finest women’s clothing store in Saint Paul, Frank Murphy Fashions, and sought to demonstrate his skills in fashion photography. Though he double-exposed his first roll of film, the one photo that turned out was so elegant that they were willing to repeat the process.*** This began his acceptance in the world of fashion photography.

The success of his Murphy fashion shoots caught the eye of Marva Louis, the bride of the famed boxer Joe Louis. She inspired the Parks’ to consider moving to Chicago as there would be more fashion work for Gordon there. He ended up taking portraits of society women, but it opened the next door for them to move to Washington D.C.**ibid

In a strange turn of events, he was hired by the Farm Security Administration on the weight of an exhibition of his pictures of life on the life of city folks from Chicago’s South Side. Under the tutelage of Roy Stryker, he learned to tell stories in pictures that words could not convey. It was in this era that his most famous photo was born.**ibid

His first assignment given by Stryker was to buy and overcoat, get something to eat, and to catch a matinee. Thinking he had won the lottery, he went shopping, but the staff wouldn’t fit a black man. Next, he went to grab some lunch, but the diner refused to serve him unless he came to the back alley. He was shooed away from the theatre. 

The coin dropped for him; I can show the public what citizenship feels like as minority in the America of the 1940’s. He later struck up a conversation with Eva Watson, an African-American janitor in his building the same day. She was willing to have her picture taken by Parks in the lobby of the FSA building, and “American Gothic, Washington, D.C.” was born.**ibid

So here I am today, Lord, to watch and pray with You about Gordon Parks and his accomplishments in the arts. Let me reflect on how You are El Roi; the Strong One who Sees. You observe the events of time concurrently; past, present, and future. You see our externals, and our innermost thoughts and motivations.

I recall the promptings of the apostle Paul to the early church in Ephesus to use their hearts in “seeing”. “I pray that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in his holy people…” Ephesians 1:18 NIV**** I don’t know much about the spiritual life of Mr. Parks, but it is clear that You have downloaded this gift into him.

We give You thanks for this dualistic vision of Gordon Parks; to see people, places, and things in the light of eternity. We thank You that he instinctively saw value and meaning and dignity in the lives of those to whom society was blind. In his own way, he saw through the eyes of Christ.

Will You bless the inheritance given to Minnesota and the United States through the camera lens of Gordon Parks? Will You bless his figurative and literal children to see with the eyes of their hearts? Will You make us soft and receptive to these images of pain, beauty, unrest, and exaltation?

Forgive us, sweet Holy Spirit, we are flooded with images each day through our vices and devices, but we are still thirsty for one glance that inspires. Our conscience has cataracts and we don’t acknowledge the pure, the real, the noble, or Your pure light beaming into our eyes radiating from the faces of our neighbor. Help us, like Mr. Parks, to see because we have truly listened to the human actors in the drama of each day!

Come and heal our blindness! Come and let us hear! Open the eyes of our hearts in Minnesota so we can perceive the messages You are constantly sending to us through others. Open the apertures of our consciences so that we can also see inwardly. Add to our personal and cultural memory; click the shutter so we remember the moments when catch a glimpse of the Immortal and Invisible!

* http://www.mnhs.org/about/dipity_timeline.htm

** You Tube. “Half Past Autumn; The Life and Works of Gordon Parks”. Published by On the Road. February 8, 2017. Producer Craig Rice. Writer Lou Rother. https://www.youtube.com/watch?v=LzeuL0d5Z_s

*** This photo can be viewed at the current website of Frank Murphy Fashions. http://www.frankmurphyfashions.com/about/history/

**** https://biblehub.com/ephesians/1-18.htm