Monthly Archives: May 2021

20th Century, Environment, History

Wilderness Act of 1964 establishes the Boundary Waters Canoe Area

Looking back at what led to the 1978 BWCA Wilderness Act. virginiamn.com

1964
The Boundary Waters Canoe Area, named in 1958, gains new protections in the federal Wilderness Act. Amid conflict between recreationists and conservationists, more than one million acres of forests, lakes, and rivers are set aside as a federally managed wilderness. *

In 1909, a vast wilderness some 150 miles long and 1.2 million deep of forest
straddled the border of Minnesota and Ontario. President Theodore Roosevelt had just claimed it as the Superior National Forest and Superior Game Refuge which removed it from grasp of developers; usually logging or mining interests. By 1938, this area’s moniker became the Superior Roadless and Primitive Area which mostly meant that boats, trucks, snowmobiles, planes and permanent roads were curtailed. Within twenty more years in 1958, the United States Forest Service officially renamed and repurposed the Superior Roadless Area to the even more pristine Boundary Waters Canoe Area. It would take another 6 years for this new area to be codified and defined by Federal law was wilderness.

Over half a century ago, our Federal government saw the pressure placed on public lands through economic development and population growth and sounded the alarm. What shall we do to protect areas from commoditization, and foster nature to remain wild? According to the United States Department of Justice:

“Congress passed the 1964 Wilderness Act in order to preserve and protect certain lands “in their natural condition” and thus “secure for present and future generations the benefits of wilderness.” 11 U.S.C. § 1131(a).” **

So, what are the tangible ramifications of these two generations of preservation?
For starters, it contains “the largest contiguous areas of uncut forest remaining in the eastern United States.” **** Additionally, the area boasts 1170 lakes, about 1200 miles of canoe routes, and approximately 2000 specified campsites. About 160,000 visitors interact with this wilderness each year. *****

Now we turn to You, Lord of the Lakes, and meditate with You. What do You wish to underscore about the Wilderness Act and the Boundary Waters Canoe Area? Can we watch this era in history with You?

As a first reflection, we establish this baseline truth from King David; “The earth is the LORD’s, and the fullness thereof, the world and all who dwell therein.” Psalm 24:1 This establishes You as the Sovereign of this planet, and all living things within it including humankind. What does that mean in this context, Sovereign One?

Though some of our peoples may have acknowledged You as the first holder of the deed, our state already had established laws surrounding property rights and obligations. We see the Superior National Forest, motivated at the Federal rather than the local level, removed from Minnesota and Minnesotans their rights to development and the use of its primary commodities: mining, timber, and water. The next circle drawn around this property established it as a Primitive Area; but granted that its neighbors and inhabitants could use basic machinery and vehicles for transportation and safety.
We see the BWCA/Wilderness Act as a third redefinition of this property which disallows even humble outboard motors and snowmobiles.

So we see this source of agreement and conflict in 1964; users agreed that setting aside this land is wisdom, but disagreed strongly on what wilderness looked like. To illustrate, imagine that your family lived remotely on one of these lakes. It is likely, almost a given, that your family loves solitude and nature because that is where you have chosen to live. How is your safety affected, should an injury occur, if one cannot use an outboard motor? Should your child bleed out from an axe wound because canoeists are irritated by waves and even the noise of a motor? Shall original homesteaders be refused the use of a snowmobile and cargo sled to bring staples from town because it breaks the silence of the forest?

We confess these three rungs of conflict and judgment to You today in the finalization of the Wilderness Act of 1964 and the establishment of the Boundary Waters Canoe Area, dear Father.
We have judged each others ability to utilize the land You have stewarded to this generation. In doing so, have we dismissed and judged Your intentions for this land?
We have judged each others heart in the second rung of preservation, though agreed in intent, and greatly curtailed the access to these lands by roads. In doing so, did we judge Your Children whose physical limitations do not allow them to hike or canoe from enjoying this property?
We have disagreed strongly over the limited use of an outboard motor or snowmobile in winter on this specific geography. In so doing, did we offend You? Did we deny our brothers and sisters a modicum of connectivity and safety for the sake of pristine silence for hikers and canoeists?

We are ashamed of the irony before You; we created a primitive area, but deny those most reliant on this land for survival their primal rights. Surely, these accrued offenses were not what Howard Zahniser had in mind when he wrote the Wilderness Act of 1964! We agreed to set aside this land, but have so little empathy set aside for those who oppose us internally. Will You heal these bitter roots that have and still embroil us in conflict over our National and State Parks? Will You lift these judgments up, out, and onto the Cross of Christ? Come and heal our past, free our present, and bless our futures to align with the land use intended in Your Economy and Dominion. Amen.

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20th Century, History, Theatre, Uncategorized

Guthrie Theater

Original Guthrie Theater – circa 1963. Amy Sanders. guthrietheater.org

May 8, 1963
The Guthrie Theater, named for its founder and first artistic directory, Sir Tyrone Guthrie, opens in Minneapolis with a performance of Hamlet. Known as an innovator “interested in places that aren’t central marketplaces of theater,” Guthrie assembles a distinguished repertory company that includes George Grizzard, Hume Cronyn, and Jessica Tandy. *

In a private conversation over breakfast, three friends despaired the commercialization of Broadway. This triumvirate, composed of uber director Sir Tyrone Guthrie, stage manager Peter Zeisler, and producer Oliver Rea, committed to move elsewhere and build a theatrical community of their own design. ** They were determined to bring gravitas, excellence, and elevation to audiences not exposed to classical theatre.

To be more precise, Mr. Guthrie gave the following quote as to why he saw a promising future of theatre in the Twin Cities.
“We believe that something here (Minneapolis-St. Paul) had a chance growing into an institution where we did not believe that such a growth was absolutely possible on Broadway. The over competitive, over stimulated, over crowded nature of the Broadway theatre makes it impossible to take a longer view than Thursday next.” **
In Minnesota, these men found a fertile soil to plant their theatre. Local businesses and foundations donated exploratory money and land. Renowned local architect Ralph Rapson was tapped to provide his forward-thinking concepts to the building, and Tanya Moiseiwitsch designed the thrust stage.,* Public support was profound, and Minnesotans volunteered to boost ticket sales, and raised $2.2 million to establish the project.****

To embellish this point further, Dr. Guthrie gave the following answer to local Minnesota students when asked about the importance of “this kind” of theatre. His reply reveals his heart to inspire.
“Plays are meant to be acted, not dissected in a classroom…Just as a community needs a public library where great books are available, or an art museum where you can see great pictures, or a symphony orchestra where you can hear great music, so you need a theatre where great plays can be brought to life.” *

So we turn to You, Host of History, to remember this moment when a theatre is born. No one but You can write a script eons long, heighten the drama of the human experience, or provide the unexpected denouement of our Christ! Today, we remember You, first, as the Supreme Author and Director of the drama of life. Be forever praised!

We applaud Sir Guthrie’s efforts to establish a beachhead of this art form within the seas of entertainment of the 1960’s. Bravissimo! Has he captured Your heart when he stated, “Plays are meant to be acted not dissected in a classroom…”? We see something very sacred here; when one acts, they are placing their whole being in participation of a storyline while potentially engaging both themselves and their audience very deeply with the virtues of a great script. Engagement through action involves risk. Yet, the potential for learning at a much deeper level, and the rewards of making a brave journey are only known by those who partake. So, we thank You for this moment that sparked this vision in the Guthrie Theatre Company, its patrons and volunteers, and its impact on Minnesota of 1963!

It is apparent that this venture, which has captured the hearts of at least two generations of Minnesotans, had to battle through the seas of modernity. Since the era of movies and television, theatre has been largely monetized. Where can we find a place where “stories for the sake of stories” exist?

Although they can and do exist in live venues, we still and feel the encroaching arms of influencers. Playwrights become famous, often, when they sell their rights to make a movie of their scripts. All kinds of foundations seek writers, directors, dancers, and theatre companies who will bend a story to their liking. Even political and spiritual groups are in on the game; i.e. “we will fund you if you heighten this issue, let’s call it “Issue X”, in the public’s mind through your artistry.” Good G-d, have we moved an inch as artists from being the court jesters, poet laureates, or entertainers of the aristocracy?

But You, our Prophet of Parables, taught us in a similar way except You forsook our purse strings for our heart strings! Help me remember a few, Lord?
The Lamp-Matthew 5:14-16
The Mustard Seed-Mark 4:30-34
The Good Samaritan-Luke10:29-37
The Prodigal Son-Luke 15:11-32
The Sheep, Shepherd, and Gate-John 10:1-18
Though these fables and apologues were given to mostly agricultural Semetic people groups over fifty generations ago; they retain Your genius today for those not familiar with those sub-cultures! Conversely, the Messiah also intersected in parable with the educated and worldly within Israel, and freely spoke with relevance to Arabian, Persian, Greeks, and Romans. You spoke in parables to portray the unspeakable words of our hearts to us. Those not ready to engage with You heard a good story, while those who were found themselves exposed before Wisdom Eternal.

Will You forgive us our judgments past of a man who desired cultural engagement in greatness through the means of the Guthrie Theatre? Will You forgive us our misapplications of artistry, through all aspects of theatre, towards the highest bidder? Will You guide us as playwrights, actors, directors, crew members, costumers to “allow” our audiences to feel rather than emotionally manipulating what they “should” feel? Will You bless Minnesota theatre to go beyond Guthrie’s vision of greatness and into the Messiah’s chesed of heart?

Lord, I leave You with a story, (I’m sure You know it), and a prayer. About a century ago, three children climbed a hill outside Fatima, Portugal; Lucia, Francisco, and Jacinta. There, they encountered an angel who taught them this prayer. I wonder if it was to buffer the suffering of the Great War? Today I echo this prayer which I amend only slightly.

“My G-d, I believe (in theatre and story), I adore, I hope, and I love Thee. I ask for pardon for those who do not believe (in theatre and story), do not adore, do not hope, and do not love Thee.”

P.T.H. cites timeline formerly at this URL: mnhs.org/about/dipity_timeline.htm
** O’Neill, Hannah. “An Englishman in Minneapolis: Sir Tyrone Guthrie”. May 12, 2017. Internet. https://www.continuum.umn.edu/2017/05/englishman-minneapolis-sir-tyrone-guthrie/
*** Combs, Marianne. “Architect Ralph Rapson at 91”. September 13, 2005. Minnesota Public Radio. Internet. http://news.minnesota.publicradio.org/features/2005/09/13_combsm_rapson/
**** A brief history of the Guthrie.https://www.guthrietheater.org/globalassets/pdf/guthrie_history.pdf
* “Guthrie Theater: Miracle in Minnesota”. (The Minnesota Theatre Company)1963. https://www.youtube.com/watch?v=dkIXv_L3QHQ&t=456s

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