20th Century, authors, History, Minnesota, Uncategorized

“Millions of Cats” Published

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1928
Artist Wanda Gág writes and illustrates Millions of Cats, which becomes a book for children. She goes on to publish nine more children’s books and Growing Pains, diaries of her teen-age years in New Ulm.*

It seems like Wanda Gag wanted to make a book that posed the following question to kids; “How do you choose when you have so many good options?” The book is considered a classic children’s story, and is also beloved for its pictures. ** I think she just knows how to pique imagination.

So we pray to the Lord! Thank You for the imagination and commitment by Wanda Gag to make “Millions of Cats” that has caused kids to wonder for generations. Will You bless her and her generations of artists and writers in Minnesota? (I think its great that even her name is a fun pun!)

Will You make our society a place for contemplation, and especially in the precious minds of its’ youngsters? Will You forgive us where we have quashed the vivid colors of childhood thoughtfulness, cognition, resourcefulness, and inventiveness? We give You gratitude for minds that do not snap to the grid, but defy boundaries at times! When You bless us with many good choices in life, may we gratefully think, ponder, and choose well because our elders have prepared us to do so!

“These commandments that I give you today are to be upon your hearts. Impress them on your children. Talk about them when you sit at home and when you walk along the road, when you lie down and when you get up.” Deuteronomy 6:6-7 NIV

* P.T.H. cites timeline formerly at this URL: mnhs.org/about/dipity_timeline.htm
The Minnesota Historical Society Web site, http://www.mnhs.org, is fantastic! Check it out! Images are from https://images.google.com/?gws_rd=ssl; again, an amazing resource!
** “Wise Book Review” link – https://wordpress.com/read/blogs/141703788/posts/34

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20th Century, Business, History, Intercession, Minnesota, Science

An Invention that Sticks

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1925
After twenty-three years of creating sandpaper and other industrial abrasives, the Minnesota Mining and Manufacturing Company (3M) moves into a new market with its invention of masking tape. Of 3M’s 55,000 products today, the best known are probably masking tape, Scotch Tape, Thinsulate, and Post-it Notes.*

Below is a condensed history of 3M in the years that led up to the invention of masking tape.
“William L. McKnight joined Minnesota Mining and Manufacturing Co. in 1907 as an assistant bookkeeper. He quickly rose through the company, becoming president in 1929 and chairman of the board in 1949. He is known for shaping the company’s culture of innovation and collaboration. In 1910, major investor Lucius Ordway established 3M’s headquarters in St. Paul, Minnesota, where it remains today. We created the world’s first waterproof sandpaper, which reduced airborne dust during automobile manufacturing, in the early 1920s. A second major milestone occurred in 1925 when Richard G. Drew, a young lab assistant, invented masking tape — an innovative step toward diversification and the first of many Scotch® Pressure-Sensitive Tapes.”**

But what of the man, Richard Gurley Drew, who actually developed masking tape?
“Scotch tape was invented in 1930 by banjo-playing 3M engineer Richard Drew. Scotch tape was the world’s first transparent adhesive tape. Drew also invented the first masking tape in 1925 — a 2-inch-wide tan paper tape with a pressure sensitive adhesive backing.

In 1923, Drew joined the 3M company located in St. Paul, Minnesota. At the time, 3M only made sandpaper. Drew was product testing 3M’s Wetordry brand sandpaper at a local auto body shop, when he noticed that auto painters were having a hard time making clean dividing lines on two-color paint jobs. Richard Drew was inspired to invent the world’s first masking tape in 1925, as a solution to the auto painters’ dilemma.

The brandname Scotch came about while Drew was testing his first masking tape to determine how much adhesive he needed to add. The body shop painter became frustrated with the sample masking tape and exclaimed, “Take this tape back to those Scotch bosses of yours and tell them to put more adhesive on it!” The name was soon applied to the entire line of 3M tapes.”

Good G-d, it’s easy to see Your image in a well-rounded man like Richard Gurley Drew! We give thanks for his scientific persistence, his love of rowdy banjo playing, and a good looking two-toned car! Will You bless him and his literal and figurative heirs to reflect so practically Your creative Image?

In particular, we give thanks that he did not take offense when his product failed at the auto shop. He did not not take offense when the workman used a racial slur “Scotch”, (extremely thrifty or cheap), to malign both his product and his company. He listened to their needs beyond their words, and responded.

We give You praise for this image! May we learn from the patience of this inventor to reserve judgment of another’s lack of tactfulness, or use of salty language. May we open the gift of criticism we receive, and look past the ugly wrapping paper!

Will You give Minnesotans past, present, and future this same humility to accept criticism? Will You forgive the harshness of our words even if spoken with good intent? When and where we have used racial slurs we have not only stereotyped each other, but Your Image invention of those people groups. Have mercy: then, now, and into our future.

We thank You today for 3M! We thank You for its dedication to innovation through nurturing the inspirations of its employees. We thank You for its model of balancing collaborative and individual creativity. We thank You for its model of relational management, decades ahead of its time, that saw their employees as whole people. They saw that when Richard Drew played the banjo and was excited by a showy car that he would be a better scientist.

In response, may we ever be grateful for their reflection of Your Image in this, and foster wholeness in our business! will You forgive us where we have only seen our employees as faceless “human resources”? Will You forgive our lack of humility when and where we have lost that the spirit of invention exists to better serve our fellow man, and indirectly to serve You? Amen!

And the King will answer them, ‘Truly, I say to you, as you did it to one of the least of these my brothers, you did it to me.’ ESV Matthew 25:40
…Then he will answer them, saying, ‘Truly, I say to you, as you did not do it to one of the least of these, you did not do it to me.’ ESV Matthew 25:45****

* P.T.H. cites timeline formerly at this URL: mnhs.org/about/dipity_timeline.htm
The Minnesota Historical Society Web site, http://www.mnhs.org, is fantastic! Check it out! Images are from https://images.google.com/?gws_rd=ssl; again, an amazing resource!
**See “A Rich History of Ideas” to peruse the many inventions created by 3M that have changed the way we live. http://solutions.3m.com/wps/portal/3M/en_US/3M-Company/Information/Resources/History/
***See “The History of Scotch Tape” by Mary Bellis https://www.thoughtco.com/history-of-scotch-tape-1992403
****http://biblehub.com/matthew/25-45.htm

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19th Century, History, Intercession, Jesus, Minnesota, Technology, Transportation

Monorail Plans

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1888
Over 200 dignitaries ride a new electric monorail up the Bryant Avenue hill in South St. Paul. Investors’ hopes of building an elevated system connecting the Twin Cites are abandoned when the St. Paul city council fails to approve their plans.

A vibrant trolley system will connect the Twin Cities until replaced by busses. But it will be another 113 years before voters approve the construction of a (partially) elevated public transportation system.*

Lord, thank You for the inspirations of men, and the dreams of women! Thank You that You have put ideas into the brains of people that eventually take shape and become reality! Thank you for the mind of Charles Clark! (The dreamer behind this monorail.)

A man like him sees the concept so clearly: a single rail, a simple car gliding on wheels that create so little friction, an opportunity to move the public while being able to ‘fly’ around and over existing structures, etc. He even made a working monorail, but met the obstacle of the city council. Have mercy on his resentments! Have mercy on all who have had their dreams and aspirations dashed by this committee or any committee!

Lord, we have argued bitterly over transportation in this city and state for over 100 years. Will You hear this prayer? I acknowledge to you our separateness on this issue. Will you forgive our clashes over monorails, trains, planes, roads, and other forms of transportation yet to be discovered?
It is good to test a new idea. Debate is healthy, and often necessary when it involves investing of time and resources. Will You show us a new way to debate this issue? Will You keep our wheels rolling?

*P.T.H. cites timeline formerly at this URL: mnhs.org/about/dipity_timeline.htm
The Minnesota Historical Society Web site, http://www.mnhs.org , is fantastic! Check it out! Images are from https://images.google.com/?gws_rd=ssl; again, an amazing resource!

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Uncategorized

Guitarajon

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I rarely do this, but today I’m on a vacation from prayer…and Minnesota history. I’m attempting to make a time theory based on one of my recent percussion inventions; the guitar-cajon or “guitarajon” as I have dubbed it.

We humans are odd creatures because we simultaneously operate in three “time zones”: past,present,and future contexts. Let me show you with my handy dandy little flow chart:

Events in the past are saved as memories>We have a personality because we have a memory> Our personality + memory often defines our present identity> Our present identity allows real-time choices that lead to our future. Will we listen to the voices of warmth, fear, self-condemnation, or affirmation? In a sense, we choose our future based on our past reacting to present-day stimuli.

So, all that to say that I’ve been pondering how we live in these three “time zones” at once. This drum is symbolic of these thoughts to me. I’ve taken 2 unusable guitars, and placed them back to back, symbolic of internal dualistic battles. Next, they are joined together to become one thing.

This new personality has sonic characteristics of both halves, but is not exclusively defined by them, but by how and where the drum is struck. This percussive strike is amplified by an internal microphone, which, in turn travels to the loudspeakers to create sound.

We internally choose what voices to listen to and externalize. We may or may not have choices in life as to the “how” we’ve been struck, but we can choose what we think and externally amplify. I’ve chosen to forgive the unforgivable intonation these halves had as individual guitars, and am choosing to reinvent them.  Successfully combining the best of the past into a new personality with a future that sounds exactly like a brand-new “guitarajon”!

 

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