Tag Archives: poetry

20th Century, Americana, Folk, History, music, Uncategorized

Bob Dylan before his First Album

Bob Dylan Music as a Child. ca. 1953-57. Fizz.net

1961
Hibbing’s Bob Dylan, once a play-for-free minstrel at bars around the University of Minnesota, releases his first album. He takes folk into rock and rock into politics, and becomes a legend of American music. Born Robert Zimmerman, he assumes a new name that pays homage to Welsh poet Dylan Thomas. *

So many words have been spilt attempting to uncover the mystery of Bob Dylan. As an historian of Minnesota, I don’t want to play musicologist, but rather focus on a few early relational aspects of his youth that may have contributed to his character which may have contributed to his epic impact on the 20th century.

Louie Kemp began his friendship with Bob at Herzl Camp near Webster, Wisconsin during their preteen years. To his recollection, he witnessed Zimmerman’s first concert at camp in 1954 as an 11year old. The boys hung out in their teen years around Duluth, Minnesota where Kemp grew up. Dylan played around the U of M when Kemp when in attendance there. He likened their adventures to “a modern-day Jewish version of Tom Sawyer and Huckleberry Finn.” **

Out of respect, let us allow Mr. Dylan to tell his own story of his Minnesota roots.

“My brains and feelings have come from there… The earth there is unusual, filled with ore,” Dylan said in a 1978 Playboy interview. “There’s a magnetic attraction there: maybe thousands of years ago some planet bumped into the land there. There is a great spiritual quality throughout the Midwest. Very subtle, very strong, and that is where I grew up.” ***

Now we turn to You, Adonai, and listen to Your music. You spoke and created. Did the music of Your voice assemble the matter of this universe? Only You know. Yet we remember, today, the place that writing and music has in Your heart! May we sit with You and watch this moment, Eternal Father? May we listen with You to this exciting beginning when You laid the foundation for Bob Dylan’s artistic release?

We remember first the importance of Herzl Camp. A place with the stated goal of the formation of lifelong Jewish friendships. We remember another after Your heart, David, who bound himself to Jonathan “in close friendship”. (I Samuel 18:1-5) We remember this place and thank You for its contribution in bringing root friendships into the lives of many. Will You bless and keep it in perpetuity?

Next, we thank You that friends give us the place to become. When we are safe, when we are accepted, we begin to believe that we have a self worth knowing. What a treasure You put into us; the longing to know and be known! We praise You that these boys, Louie and Bob, could experience this kind of brotherhood.

Additionally, we thank You for the importance of place and context to Your people and Your Kingdom. You made the tabernacle a place to intersect with Your Presence. You rescued Israel from the famine and placed them under Joseph in Goshen. You gave Your nation Canaan and established Jerusalem. And You gave Bob Dylan the context of Hibbing?!

Yet, in Your economy of purpose, it all makes sense; Hibbing is a place of great contrasts. It’s surrounded by silence and the noise of the largest iron mine on earth. It’s both “Anysmalltown, USA” and significant to the world. Maybe it’s like the writing of Dylan: compact, expansive, verbose, but not over-baked in its turns of phrase? Perhaps it’s like Your storytelling: only honesty, robust, mysterious, prophetic, and believable?

In any case, we remember and applaud this memory of Mr Dylan’s first record to You. We thank You of the inheritance and richness brought to Northern Minnesota through the Jews of Lithuania and all Eastern Europe. We commend You for seeing the talent of an 11 year old, in the middle of the woods, next to the largest open pit mine, in the center of a continent.

We thank You that this young poet participated in many of the most significant events of the next decade, but did not lose his identity. For some reason, Dylan could explore subjects that were misconstrued as political, but not yield to the generational political pressures of the Greenwich folk movement or the hippies. Similarly, though critics tried to place him in a religious box, he always seemed to know the secret of the Messiah; faith is an internal freedom and a permanent hat tip to the Eternal One.

Will You forgive the misbeliefs, unbeliefs, and offenses against You through the folk movement of this era? Will You commend the honest questions of this generation, and bring the inward as well as external peace they sought? Only the Messiah can radiate and impart such healing to our stumbling and prideful race because You know our brokenness, yet still CHOOSE to love us.

Will You speak words of life to this generation and the next and the next as You did through Bob? Will You bring chesed through the music of Minnesota?

“There is neither Jew nor Greek, slave nor free, male nor female, for you are all one in Christ Jesus. And if you belong to Christ, then you are Abraham’s seed and heirs according to the promise.” ****

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20th Century, Catholic, Christian, education, History, Intercession, Judgment & Counter-Judgment Cycle, Minnesota, omnipresent history, Science

Institute of Science and Letters

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Saint Paul Auditorium ca. 1907 Interior, Original Home of the Institute of Science and Letters. Photo by Scotty Moore

1907

“The St. Paul Institute of Science and Letters is incorporated. The institute sponsors research, and a museum. After reinventing itself several times, it is now known as the Science Museum of Minnesota–home to dinosaur bones, computer and an IMAX theater.” *

 

It is a blessing to learn that my city had a love of science fervent enough to create this institute! Furthermore, its benevolent nature was expressed in making scientific knowledge open to all! The Institute of Science and Letters was,“Originally a provider of public lectures, it was located in the St. Paul Auditorium”. **

 

As with any audience, surely in 1907 there were proponents, opponents, and those who remained open.  Then, as in the present, most would not argue the data collected from experiments, but may differ drastically on its meaning to their life. Why is this?

One idea may be that we cannot extirpate the framing effects of our memory, our temperament, and our worldview. By “framing effect”,  I mean the resistance we have to knowledge outside of our point of reference. A classic example is the story of the blind men describing an elephant. 

“A Jain version of the story says that six blind men were asked to determine what an elephant looked like by feeling different parts of the elephant’s body. The blind man who feels a leg says the elephant is like a pillar; the one who feels the tail says the elephant is like a rope; the one who feels the trunk says the elephant is like a tree branch; the one who feels the ear says the elephant is like a hand fan; the one who feels the belly says the elephant is like a wall; and the one who feels the tusk says the elephant is like a solid pipe.

A king explains to them:

All of you are right. The reason every one of you is telling it differently is because each one of you touched the different part of the elephant. So, actually the elephant has all the features you mentioned.”  *** 

Lord, will You have mercy on our judgments’ made regarding science and its meaning to our lives? Will You forgive those in 1907 who used their new found scientific knowledge as a tool of separation from their predominantly Catholic neighbors? Will You forgive any counter judgments of scientists made in Your name or the name of the Roman Catholic church? Will You give us mercy on our neighbor’s epistemology?** whether they “know” through the channel of logic, association, observation, or relationship? ****

While Your Word is not primarily a book of science, but where it does intersect with the sciences, it is accurate and eloquent in its claims. For example, you begin Your Word with the phrase,”In the beginning God created the heavens and the earth.” Genesis 1:1 CEV A scientist, upon first reading, may take it as religious and mythical poetry. However, would this same scientist observe that this simple phrase covered the building blocks of the universe: time, space, and matter?

Jesus, will You forgive the prejudices of the religious towards the secular-minded scientist in St. Paul past, present, and future? Will You forgive the prejudices of the science community toward people of faith? We measure each other falsely at times Lord! We use the wrong measuring stick because we so often lack empathy much less love towards our sparring partners in debate. Will You heal the words we use to describe the intersection of faith and science? Have mercy on our small frames! Let us ‘see’ the whole elephant together, in Your revealing presence.

”Every question in philosophy is the mask of another question; and all these masking and masked questions require to be removed and laid aside, until the ultimate but truly first question has been reached. Then, but not till them, it is possible to decipher and resolve the outside mask, and all those below it, which come before us in the first instance.” **** James Frederick Ferrier

* http://www.mnhs.org/about/dipity_timeline.htm

** *http://www.smm.org/media/historicalfacts

*** “Elephant and the blind men”. Jain Stories. JainWorld.com. Retrieved 2006-08-29.  

http://en.wikipedia.org/wiki/Blind_men_and_an_elephant

**** http://www.greatthoughtstreasury.com/author/james-ferrier-fully-james-frederick-ferrier

***** A brief summary of the Scottish philosopher’s life.                                               https://en.wikipedia.org/wiki/James_Frederick_Ferrier

 

 

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19th Century, Art, authors, Culture, History, Intercession, Minnesota

Oscar Wilde Speaks in Twin Cities

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“Hear no evil, speak no evil-and you’ll never be invited to a party.” Oscar Wilde

March 15, 1882

“The quotable Oscar Wilde takes his American lecture tour to the Twin Cites. The young Irish writer’s affected speech and knee breeches fail to impress local newspaper reporters who label him an “Ass-thete.” 

“Speaking at the Opera House, his subject “”was ‘art,’ consisting of a sort of lament that there was so little ‘art,’ especially in this country…. He was shocked by our buildings, by the mud in the streets, and especially by the rooms and furniture in the hotels…. 

The lecture was well worded, and at times quite poetical. It was certainly harmless and does not entitle Mr. Wilde to either abuse or ridicule. It was simply the smooth sentences of a languid poet, which strike the ear somewhat melodiously without arousing any overwhelming enthusiasm or creating sufficient excitement in the listener to cause him or her to burst a blood vessel.””

-St. Paul Daily Globe, March 17, 1882″ *

Lord, thank you for poetry and writing! Thanks for the “music of the spheres” and of the universe of words! Thank You for the talents of Oscar Wilde! 

We often love our heroes, perhaps even worship them, and then are disappointed when to find out they’re human. Was this the case when Wilde toured here? Lord, will You forgive the artists and writers of Minnesota any judgments of Mr. Wilde? Will You forgive his assessments of our state, art, and writers? 

Lord, I confess that we as a people love to put artists on a pedestal. We invest lots of time, energy, and treasure in those who move us. I believe You are the first artist, and that those who are talented in that arena move us because they wake our slumbering spirits. Jesus, we have made artistic brothers and sisters into gods. Will You forgive us this offense?  Will you bless the artists of this state, their generations, and their creations?

* http://www.mnhs.org/about/dipity_timeline.htm

** Note: I once was a member of the much-beloved local band “Romantica”. Check out the link to hear their tribute to Oscar Wilde? https://romantica.bandcamp.com/track/oscar-wilde

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19th Century, Art, authors, Culture, History, Intercession, Minnesota

Emerson Speaks 1867

Unknown-1

1867
“Ralph Waldo Emerson braves sub-zero weather in an open sleigh to lecture in Winona. The poet and essayist–known to many as “the wisest American”–gives four other speeches in Minnesota before returning to Massachusetts.” *

“Mr. Emerson leaves to the world no system of philosophy, no orderly presentation of new or great truths; but he has done a a great and usually salutary work by stimulating the thought of two generations and by helping courageously to clear away the intellectual rubbish which the centuries had gathered. . . He has done the needed work of the iconoclast in so kindly and decorous a way as to hurt as little as possible the enduring good.” ** Minneapolis Tribune April 28, 1882

Lord, I have not experienced much of Emerson’s wisdom, but I ask that You bless him, his generations, dwellings, and property in the name of the Lord Jesus Christ! May we follow in his footsteps to do the intellectual work You have for us in this life. May we bless the future of Minnesota with “enduring good”!

http://www.mnhs.org/about/dipity_timeline.htm
** Cited by Hubert H. Hoeltje in “Emerson in Minnesota”

Click to access v11i02p145-159.pdf

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19th Century, Art, authors, History, Indian, Intercession, Minnesota, Native Americans

“Song of Hiawatha” Published

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November 10, 1855
“Henry Wadsworth Longfellow never visited Minnesota, but his epic poem The Song of Hiawatha immortalized the Minnesota forests, prairies, and waters he saw only in his imagination. Longfellow began Hiawatha on June 25, 1854, he completed it on March 29, 1855, and it was published November 10, 1855.” *
The famous story still attracts tourists from around the country to see, in the words of the poem,
“Where the Falls of Minnehaha
Flash and gleam among the oak-trees,
Laugh and leap into the valley.”

This poem could be revelatory of the best and worst aspects of pop culture…even if it was popular 160 years ago. A cynical synopsis? A man who never visited Minnesota or lived with the Ojibwe whose language he borrowed, wrote a pop lyric that morphed and mutated their culture with the East Coast Iroquois to the tune of the “Kalevela” of Finland?! Of course it became a smash hit, and the listeners accepted it as the truth!

I’m not a cynic, Jesus. So today I wish to focus on that which gives life in this poem by Longfellow. I want to practice seeing the potential in historical works, rather than judging their limitations according to the standards of the present.

Longfellow sought to learn real Indian languages, and wasn’t afraid to interact with real Indians. He invited Kahge-ga-gah-bowh, an Ojibwe Chief, to his home, and took the time to meet Blackhawk, Sac, and Fox Indians in Boston.

If the poet saw a connection between tribes of the East Coast of North America with those of the Midwest, can we forgive him? Artists are allowed to make connections where others do not see them. We can find fault in their “improper” labeling of a small branch of a larger concept, and stubbornly miss their heart.

As a drummer and percussionist, I seek to learn each new ethnic music from the ground up with great respect for its traditions. However, there is new life in breaking the rules once one knows them. If one hears a connection between Celtic music and samba, then merging them into a new style is natural.

Perhaps that is the explanation for Longfellow merging the sound and rhythms of Indians with the heartbeat of Finland? Maybe he borrowed an interesting “drumbeat” from Suomi poems to express what he felt about Native Americans? In any case:
“The Song of Hiawatha was written in trochaic tetrameter, the same meter as Kalevala, the Finnish epic compiled by Elias Lönnrot from fragments of folk poetry. Longfellow had learned some of the Finnish language while spending a summer in Sweden in 1835.” **

Father, will You bless Longfellow, Kahnge-ga-gah-bowh, and each Indian who shared his story? Will You continue to bless those who reach out to know a culture very different than their own? Will You honor those who see Your unyielding imagination expressed through all the families of nations?

Thank You for Longfellow’s example that we can create beauty beyond the confining aspects of our culture. Show us ways to “include, but not be limited to” the legalism of our traditions. Thank You, First Poet, for drawing the romance from hearts of stone! Thank You for the possibility of fusing peoples together when living under grace! May we never tire of creating, merging, or reaching to describe Your beauty mirrored in the faces of fellow humans! With this heart and mind, will You bless our state?

http://www.mnhs.org/about/dipity_timeline.htm

** Calhoun, Charles C. (2004). Longfellow: A Rediscovered Life. Boston: Beacon Press.

 

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